Featured Stories
  • We didn’t know the late Imamu Amiri Baraka (LeRoi Jones), who died this week at the age of seventy-nine, as a famous poet who initiated the powerful Black Arts Movement in 1965, or as the man whose groundbreaking plays, ranging […]

    Amiri Baraka’s First Family

    We didn’t know the late Imamu Amiri Baraka (LeRoi Jones), who died this week at the age of seventy-nine, as a famous poet who initiated the powerful Black Arts Movement in 1965, or as the man whose groundbreaking plays, ranging […]

  • Richard Maxwell is one of the more adventurous theatre artists that this country has produced in decades. Born in 1967, he was raised in West Fargo, North Dakota. He comes from a theatrical background. His father had a strong interest […]

    Interview With Richard Maxwell

    Richard Maxwell is one of the more adventurous theatre artists that this country has produced in decades. Born in 1967, he was raised in West Fargo, North Dakota. He comes from a theatrical background. His father had a strong interest […]

  • When it comes to technique, actors know what you might call one another’s family secrets. They know what goes into creating a sustained stage illusion, and how to make a scene partner give and then give some more. They know […]

    Stars

    When it comes to technique, actors know what you might call one another’s family secrets. They know what goes into creating a sustained stage illusion, and how to make a scene partner give and then give some more. They know […]

  • Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone. But the diary Walker keeps […]

    The Sugar Sphinx

    Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone. But the diary Walker keeps […]

  • A writer’s byline follows her even as she becomes a different self and develops into a different kind of writer. I do not valorize the dead; our best work—as people and artists—happens in those moments when we can best serve […]

    Talking Back to Maya Angelou

    A writer’s byline follows her even as she becomes a different self and develops into a different kind of writer. I do not valorize the dead; our best work—as people and artists—happens in those moments when we can best serve […]

  • I was lying in bed—otherwise known as my office—just now, listening to WBLS, when one of the commentators announced that Ruby Dee had died, at the age of ninety-one. I had such a rush of feelings about this, because Dee […]

    Thinking of Ruby Dee

    I was lying in bed—otherwise known as my office—just now, listening to WBLS, when one of the commentators announced that Ruby Dee had died, at the age of ninety-one. I had such a rush of feelings about this, because Dee […]

Most Read
  • We didn’t know the late Imamu Amiri Baraka (LeRoi Jones), who died this week at the age of seventy-nine, as a famous poet who initiated the powerful Black Arts Movement in 1965, or as the man whose groundbreaking plays, ranging […]

    Amiri Baraka’s First Family

    We didn’t know the late Imamu Amiri Baraka (LeRoi Jones), who died this week at the age of seventy-nine, as a famous poet who initiated the powerful Black Arts Movement in 1965, or as the man whose groundbreaking plays, ranging […]

  • When it comes to technique, actors know what you might call one another’s family secrets. They know what goes into creating a sustained stage illusion, and how to make a scene partner give and then give some more. They know […]

    Stars

    When it comes to technique, actors know what you might call one another’s family secrets. They know what goes into creating a sustained stage illusion, and how to make a scene partner give and then give some more. They know […]

  • Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone. But the diary Walker keeps […]

    The Sugar Sphinx

    Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone. But the diary Walker keeps […]

  • A writer’s byline follows her even as she becomes a different self and develops into a different kind of writer. I do not valorize the dead; our best work—as people and artists—happens in those moments when we can best serve […]

    Talking Back to Maya Angelou

    A writer’s byline follows her even as she becomes a different self and develops into a different kind of writer. I do not valorize the dead; our best work—as people and artists—happens in those moments when we can best serve […]

  • I was lying in bed—otherwise known as my office—just now, listening to WBLS, when one of the commentators announced that Ruby Dee had died, at the age of ninety-one. I had such a rush of feelings about this, because Dee […]

    Thinking of Ruby Dee

    I was lying in bed—otherwise known as my office—just now, listening to WBLS, when one of the commentators announced that Ruby Dee had died, at the age of ninety-one. I had such a rush of feelings about this, because Dee […]

  • Years and years ago, a friend and I thought to write a movie. The film was the story of a Caribbean-born woman who leaves her island as a teen-ager; she’s employed as a kind of companion to the wife of […]

    Can We Know Her?

    Years and years ago, a friend and I thought to write a movie. The film was the story of a Caribbean-born woman who leaves her island as a teen-ager; she’s employed as a kind of companion to the wife of […]